Equestrian marketing only works when the person behind it understands the sport. After thirteen years in equestrian journalism and a lifetime in the saddle, Wendy knows the difference between a post that looks nice and a post that sells a foal, fills a grandstand or brings a bidder to the ring.
An auction has a build-up, a peak and an after-sale. An event has a ticket phase, a live phase and a results phase. Campaigns are planned around those moments instead of posting at random — which is why the content lands when the audience is actually paying attention.
Photos and video are shot on location, in the arena and in the stable aisle. No stock imagery, no borrowed footage: real horses, real riders, and captions written by someone who knows what a good canter looks like.
All content is delivered in Dutch and English, so the same campaign reaches breeders in Gelderland and buyers in Wellington without losing its tone.
Three short steps. You usually get a personal answer with a concrete proposal within one working day.
Both. Auctions and events are usually project-based; stables and brands often choose a monthly package.
Yes — photography and video on location are part of the service.
“Placeholder review — replace with a real client quote. The horse was exactly as described on video, and the paperwork was arranged before we landed.”
“Placeholder review — replace with a real client quote. Press releases went out the same evening and were picked up by every title we hoped for.”
“Placeholder review — replace with a real client quote. Our social reach doubled during the campaign and bidder registrations followed.”
Example reviews — real client quotes are being collected.
